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entertainnment, toll free, kilns, catalog, dive, nbc, pampered fat cat has 31 inch waist, bowls, record, bride, consumer education, wilmington nc motels, new york (state), svek, steve benson, newcomers, the fat cat sat on the mat, new free stuff, comics, cable tv, fat cats gift, get, 0345383850, peacefrog, His is a vigorous account of an American subculture that's colorful, influential and, given the body count, tragic. 16 pages photos. (Dec. 6) Copyright 2005 Reed Business Information. Kirkus ReviewsBloody chronicle of the '80s-era cocaine hustlers of southeast Queens and their influence on the rap music industry. New York magazine music editor Brown recounts the triumphs and travails of Queens, New York, drug hustlers Lorenzo "Fat Cat" Nichols, Kenneth "Supreme" McGriff and Thomas "Tony Montana" Mickens, among others, dayton oh and the appropriation of their mystique and violent approach to doing business dayton oh by the hip-hop artists who came of dayton oh age in their shadow. Brown does a thorough job delineating the savage milieu of the crack-devastated communities and their code of pitiless, often pointless violence, drawing on copious wiretaps and courtroom transcripts, search-warrant affidavits and interviews with those involved to shed new light on the murders of Tupac Shakur and RUN-DMC's Jason "Jam Master Jay" Mizell, as well as the shooting of superstar rapper 50 Cent, who emerges from the narrative as a singularly effective maneuverer and survivor.
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New York magazine music editor Brown begins by chronicling the careers of three Queens drug kingpins during the 1980s crack epidemic, when maintaining a fearsome reputation for violence was a must for toll free doing business. He toll free continues through to the 1990s, when a younger generation of hip-hop artists and impresarios idolized such criminals and adopted their twisted moral economy of street cred. Rappers dissed rivals' lack of a criminal background while burnishing their own; the war of rhymes occasionally escalated into gunplay between hostile entourages; prison stints and shoot-out wounds were toll free coveted markers of hoodlum authenticity. Drawing on interviews with gangsters and rappers alike, Brown looks behind the tabloid headlines about such hip-hop luminaries as Russell Simmons and Tupac Shakur, while fleshing out the dynamics of machismo, loyalty, vengeance and greed in the claustrophobic 'hood.
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