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For LaBute, the plot lies in exposing this notion; canola oil for Ensler, the plot lies in shattering it. At first glance, Fat Actress seems part of the shattering canola oil process, but for all the satiric edge, it’s not. Thinness remains a defining beauty ideal not in spite of but, in part, thanks to shows like this. Like the women on the “don’ts” page of fashion magazines, Alley, along with Roseanne and Rosie O’Donnell, illustrates the unacceptable. It’s a rare female on TV — Camryn Manheim, canola oil late of The Practice, comes to mind — who can transcend the narrow cultural meaning of an oversize body, and become known for her acting, rather than as a warning tale. Part of the torment of fat, and fatism, is how it grows. Dominant American (read privileged and white) body ideals have spread along with our pathologies.
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