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pool table, filthy fatties , dav, bbw cumshots , cartoons, feel, crazy pics, jungle, atlanta traffic, ur, fatcats cartoons, henry payne, stiga, obese cat, compactflash, paws, flash, bbw plumpers , Fourthly, any ‘nice’ or calming moment in a track will be augmented by static or some other disquieting sound. Fifthly, repetition is your servant, but not your slave. Sounding disturbingly like a heavily mulled up version of DJ Spooky’s early work, Beaches and mobile Canyones is one of those albums that seems to pass without any great calamity simply because its vistas are too wide to mobile take in at one go. It’s like trying to read a billboard poster up close – the mess mobile of dots seem indecipherable until you step back. Despite live drums and guitars (almost in spite of) the tracks are awash with effects that tend to mask rather enhance their presence – in fact the origin of many of the sounds is difficult to ascertain. It’s this ability to astound and confound that is Beaches... greatest asset. DH + Amphibian - Adventures In Whistle Village (Gr... + Architecture in Helsinki - Like A Call (Trifekta) + Autechre – Draft 7.30
DQM_url1_7 = "article.php?article=149" DQM_url1_8 = "article.php?article=161" DQM_url1_9 = "" DQM_url1_10 = "article.php?article=163" DQM_url1_11 = jungle "article.php?article=160" DQM_url1_12 = "" DQM_url1_13 = "article.php?article=221" DQM_url1_14 = "all_index.php?type=1"   Issue #003 (March 2003) Black Dice - Beaches and Canyones (Fat Cat/Inertia) Black Dice might just be the jungle first group signed to Fat Cat that have definitive Fat Cat ‘sound’. The label has refused to be locked into genre constraints or indie label orthodoxies concerning maintaining a particular sound, but Black Dice may just jungle have hit on it in that they manage to sound just a little bit like nearly all of their labelmates (at least at a distance). First in the formula is to write sprawling tracks that slowly twist and turn like sea snakes killing time. Second, make the sound sources as disparate as possible – from white noise to indigenous chants. Third, have at least one moment of quiet, preferably the point where the piece changes direction.
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